<i>Ionization Music</i>, 2018
Ionization Music, 2018

A Cold War-era Geiger counter responds to the radiation emitted by a piece of Trinitite, recovered from the site of the world’s first atomic bomb detonation. The audio signal from the Geiger counter is processed and played through a guitar amplifier.

積ん読 <i>(Tsundoku)</i>, 2018
積ん読 (Tsundoku), 2018

An installation reflecting the diverse and challenging parameters of the Southwest.

<i>Spiral Jetty to Great Salt Lake (Maquette)</i>, 2018
Spiral Jetty to Great Salt Lake (Maquette), 2018

A still photograph slowly emerges from behind your reflection, while the sound of footsteps on a dry lakebed mixes with the wind and, eventually, the sound of waves.

Driving (Excerpt no. 1: Las Vegas to Double Negative), 2018

Follows the route that I drove from Las Vegas to Michael Heizer’s Double Negative during a road trip in 2016 focused on Land Art in the Southwestern US.

<i>Ionization Music</i>, 2018
積ん読 <i>(Tsundoku)</i>, 2018
<i>Spiral Jetty to Great Salt Lake (Maquette)</i>, 2018
<i>Driving (Excerpt no. 1: Las Vegas to Double Negative)</i>, 2018
Ionization Music, 2018

A Cold War-era Geiger counter responds to the radiation emitted by a piece of Trinitite, recovered from the site of the world’s first atomic bomb detonation. The audio signal from the Geiger counter is processed and played through a guitar amplifier.

積ん読 (Tsundoku), 2018

An installation reflecting the diverse and challenging parameters of the Southwest.

Spiral Jetty to Great Salt Lake (Maquette), 2018

A still photograph slowly emerges from behind your reflection, while the sound of footsteps on a dry lakebed mixes with the wind and, eventually, the sound of waves.

Driving (Excerpt no. 1: Las Vegas to Double Negative), 2018

Follows the route that I drove from Las Vegas to Michael Heizer’s Double Negative during a road trip in 2016 focused on Land Art in the Southwestern US.

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